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In Linear mode, you can adjust a knob's value by clicking it and dragging vertically upwards to increase the value or downwards to decrease it. In Circular mode, you instead use the mouse pointer as if you were turning a real knob on a hardware device. A clockwise turn increases the parameter value, while an anti- clockwise turn decreases it.
Changing from Linear to Circular mode affects all of CamelSpace's knobs.
Holding down the Shift key while dragging will result in a slower, more precise knob movement. The incoming signal flows through them as shown below:. When the 'On' button is illuminated, the module is active. When the 'On' button is dimmed, the module is switched off, and has no effect on the sound. A note about 'Sync' Several of CamelSpace's effect modules provide a 'Sync' function that allows certain parameter changes to be synchronised with the tempo of your song.
Please be aware that CamelSpace relies upon the host application to provide the necessary tempo information.
Most hosts supply this information automatically, but a few may need to be told explicitly to configure CamelSpace as a 'tempo-based' effect or something similar. If in doubt, please consult your host application's manual for more details!
Sync allows 'triplet' e. A triplet is where three notes are played in the same amount of time as two ordinary notes. A dotted note is a note that lasts one-and-a-half times as long as an ordinary note. Trance Gate Trance Gate has only a single parameter: The Trance Gate affects the amplitude of the incoming sound, effectively switching the volume on and off.
Used in conjunction with the Step Sequencer module see page 18 , the Trance Gate can be used to create a range of 'stuttering' or similar rhythmic effects. Enhancer The Enhancer module contains two effects, each with a single parameter: Use it to add 'warmth' and 'punch' to the sound. CamelSpace should be inserted into a stereo track or channel in your host application in order for AutoPan to work as expected! AutoPan has the following parameters: Different waveform shapes produce characteristically different kinds of panning.
There are seven different waveforms in total to choose from. You can either use the left and right arrow buttons to switch waveforms, or you can click the field for a pop-up menu. The precise effect of the LFO will vary according the chosen waveform Shape see above.officegoodlucks.com/order/59/2473-como-localizar-un.php
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With Depth set to its maximum, the sound will move from one extreme of the stereo field, all the way across to the other. Lower settings allow for narrower movements within the field. The Rate control is calibrated in Hz cycles per second — unless the Sync button is activated see above.
MM Filter The MM Filter module provides a powerful multi-mode filter capable of transforming the sound in a number of different ways. You can choose from several different filter types, either by clicking on the left and right arrow buttons beside the 'Type' field, or by clicking the name of the currently-selected type and choosing from the pop-up menu that appears.
The available filter types are: Like a simplified version of the BP Filter module, it allows a band of frequencies around the Cutoff point to pass, while rejecting other frequencies. It allows frequencies above the Cutoff point to pass, while rejecting other frequencies. The Peaking filter type emphasises a narrow band of frequencies around the Cutoff point.
The effect is particularly pronounced with the Resonance turned up.
Sometimes called a 'band-stop' or 'band-reject' filter, a notch filter essentially works like a band-pass filter in reverse. It 'rejects' a narrow band of frequencies around the Cutoff point, while allowing other frequencies to pass. A comb filter produces an effect called 'phase cancellation', resulting in a 'spiky' frequency spectrum which might be said to resemble a comb. In practise, comb filtering produces a characteristically bright, lively, metallic sound, especially with the Resonance turned up.
Ring modulation sometimes called amplitude modulation involves multiplying the incoming signal together with a sine wave modulator, producing a sound with unpredictable, often metallic-sounding overtones. MM Filter's other parameters are: Exactly what effect this has varies depending on the selected filter type see above.
This is particularly effective when the Cutoff point is modulated or 'swept' e. With the knob turned all the way to the right, you'll hear only the filtered sound. Turned the other way, you'll hear the 'dry' unfiltered sound. Filter Mod FilterMod is not actually an effect module in its own right. Rather, it's a companion to the MM Filter module which allows you to modulate the filter 'Cutoff' parameter in a few different ways. Filter Mod's parameters are:. Different waveform shapes produce characteristically different kinds of modulation.
Flanger Flanging is an effect produced when a slightly delayed copy of a signal is mixed together with the original.
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The length of the delay is varied over time, but is usually never longer than a couple of dozen milliseconds. Flanging creates a characteristic 'sweeping' or 'whooshing' effect. CamelSpace's Flanger has the following parameters: In other words, it changes the speed of the 'sweeping' effect. Higher Feedback settings result in more pronounced, even metallic-sounding effects.
Turn the knob to the right to increase the level of the processed sound. Stereo Delay The Stereo Delay module creates 'echo' effects by creating a delayed copy of the incoming signal. Internally, this is quite similar to how the Flanger works, but it sounds quite different since the delay times are much longer. Stereo Delay has the following parameters:. Higher Feedback settings result in more 'repeats' of the delayed sound. Lower Cutoff settings result in attenuated high frequencies in the delayed signal.
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